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A site-specific, sound-centric installation based on The Dead, from James Joyce’s Dubliners. In collaboration with Playtronica, a Moscow-based creative studio specializing in touch reactive sound installations, students in the Kamenkovich-Krymov Workshop recreated Joyce’s Christmas party without a single actor, relying instead on digital multimedia technology as their expressive medium.
Students assembled a textual and sonic score for the piece, placed throughout the installation space using directional sound, that was activated by the audience’s presence: when audiences sat in chairs or touched the place settings, their bodies closed the circuit, causing a sound to play and creating an “encounter” with an element of Joyce’s story.
Open
A site-specific, sound-centric installation based on The Dead, from James Joyce’s Dubliners. In collaboration with Playtronica, a Moscow-based creative studio specializing in touch reactive sound installations, students in the Kamenkovich-Krymov Workshop recreated Joyce’s Christmas party without a single actor, relying instead on digital multimedia technology as their expressive medium.
Students assembled a textual and sonic score for the piece, placed throughout the installation space using directional sound, that was activated by the audience’s presence: when audiences sat in chairs or touched the place settings, their bodies closed the circuit, causing a sound to play and creating an “encounter” with an element of Joyce’s story.
Open

A site-specific, sound-centric installation based on The Dead, from James Joyce’s Dubliners. In collaboration with Playtronica, a Moscow-based creative studio specializing in touch reactive sound installations, students in the Kamenkovich-Krymov Workshop recreated Joyce’s Christmas party without a single actor, relying instead on digital multimedia technology as their expressive medium.

Students assembled a textual and sonic score for the piece, placed throughout the installation space using directional sound, that was activated by the audience’s presence: when audiences sat in chairs or touched the place settings, their bodies closed the circuit, causing a sound to play and creating an “encounter” with an element of Joyce’s story.
Open

A site-specific, sound-centric installation based on The Dead, from James Joyce’s Dubliners. In collaboration with Playtronica, a Moscow-based creative studio specializing in touch reactive sound installations, students in the Kamenkovich-Krymov Workshop recreated Joyce’s Christmas party without a single actor, relying instead on digital multimedia technology as their expressive medium.

Students assembled a textual and sonic score for the piece, placed throughout the installation space using directional sound, that was activated by the audience’s presence: when audiences sat in chairs or touched the place settings, their bodies closed the circuit, causing a sound to play and creating an “encounter” with an element of Joyce’s story.
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